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bow arm, DETACHE, elbow height in bow arm, karen tuttle, Uncategorized, viola, viola technique, violin, violin lessons online, violin playing, william primrose -

by Rozanna Weinberger Elbow height can seem like such an illusive issue for many string players. Having studied with teachers like Karen Tuttle, who had a ‘natural approach to technique’ and pointed out the necessity of arm/back weight vs. force to produce sound, it is impossible to really gage the correct elbow height if its […]

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beginner viola, Beginner Violin, beginner violin music, bow arm, detach, DETACHE, free violin lessons, karen tuttle, Learning, Learning Center, nerves, rozanna weinberger, rozanna's violins, stage fright, Uncategorized, viola, viola technique, violin, violin lessons online, violin playing, violin technique, virtuosity, william primrose -

by Rozanna Weinberger The other day a colleague was warming up beautifully on a violin I was showing him.  I remember being impressed at the fluidity of his technique, which seemed confident and inspired.  When he stopped I praised him and then said I would like to  shoot a little demo video clip of him playing since the […]

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by Rozanna Weinberger These days it seems contemporary audiences are much more influenced by shows like The Voice than the concert hall. This may also be in part because children have less exposure to fine art and so we seek it less and less. While I would never suggest that just because someone auditions for a talent competition […]

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balancing the bow, beginner bow hold, beginner violin bowing, beginning bow hold, beginning violin lesson, bow arm, bow hold, DETACHE, free online violin lessons, right hand finger technique, rozanna weinberger, rozanna weinberger viola, rozanna's violins, violin playing -

by Rozanna Weinberger Right hand finger action is a cause for bewilderment by many students. The myth is that the fingers must be trained to move back and forth,  to curl and straighten, to effect a proper bow hold.  While in principal its true these movements need to occur,  the movements are the effect of a […]

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